Feb 14, 2017 Marshall Vintage Modern: Vintage Modern Head and Combo. That guitarists crave. Jim Marshall. Dr Jim Marshall OBE. 4 New Products. MG Series, Haze Series, 1923 85th. Signature Celebration Amplifiers. 12 Valve Amplification. JVM 2 Channel, JVM 4 Channel, Vintage Modern. Plus a Master volume (non- storable), Tap Tempo button, Manual and Preset operating modes.
The Marshall Vintage Modern 2466 Tube Amp Head is an all-valve amplifier with a choice of two dynamic ranges selectable by footswitch. The Low range equates equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the seventies. Add to this the ability to dynamically interface with your instrument's Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance.
Two frequency selective Pre-amp Volumes (Gains) - Body and Detail - facilitate greater flexibility in tone shaping for individual guitars and styles while the power amplifier is heavily influenced by the first Marshall amplifiers to be produced, with four KT66 output valves yielding that substantial, fat and smooth tone. A MID Boost switch on the front panel fattens the tone even more while a traditional Marshall tone control circuit enables fine tuning of your sound. A master volume has been included in order to practically manage the output levels at all venues. This is implemented after the phase splitter in order to fully exploit maximum preamp drive when the master is turned down low. A reverb level control mixes the on board plate reverb with the direct signal to whatever degree the player chooses.
The reverb can be toggled on and off via the footswitch. Finally, a series FX loop is provided for those players who wish to use outboard effects to further enhance their sound. Loop levels of ”10dB and +4dB can be controlled via a rear panel switch as well as the option to completely bypass this feature if it is not required.
The cosmetics are also a carefully crafted hybrid of old and new styles ” made even more dramatic by the deep purple vinyl that covers the entire series. Check the drop-down menu to the right to select colors and/or other options.
Best amp i've ever played You know i'm usually harsh when i write a review, but this amp is seriously nothing less than a five star all the way across the board. The genius design with two gains. You know i'm usually harsh when i write a review, but this amp is seriously nothing less than a five star all the way across the board. The genius design with two gains, mid boost, and dynamic ranges, allow you to get basically any sound you want.
The low range is a little cleaner sounding, but the high range has that classic Marshall overdrive sound. I plan on buying this amp as soon as i can, and I can't find a single flaw with it.
Some people have said the reverb is weak, but I usually don't play with any reverb, so it doesn't bother me. I'm not telling you to go out and buy it right this second, but definitely play this at your local guitar center. Too harsh for my ears I bought this amp because I read how versatile it was for many different styles. I also wanted something that would complement both Les Paul and Strat-style guitars. I have to say that I. I bought this amp because I read how versatile it was for many different styles.
I also wanted something that would complement both Les Paul and Strat-style guitars. I have to say that I was pretty disappointed with the sounds I got from the Vintage Modern. The high's are really too high and tinny, but when turned down a notch it kills the tone altogether, as well as any respectable crunch when in High Gain mode. I just found that it involved way too much tweaking for my liking.a guitar player should be able to spend his time playing and twiddling knobs between songs. The mid-boost is really the only thing that saves this amp. With this, you can get some decent crunch.but it still requires some tweaking. Plus, the reverb is weak, as I'm sure you've read in other reviews.
All in all, nothing to write home about. You know i'm usually harsh when i write a review, but this amp is seriously nothing less than a five star all the way across the board. The genius design with two gains, mid boost, and dynamic ranges, allow you to get basically any sound you want.
The low range is a little cleaner sounding, but the high range has that classic Marshall overdrive sound. I plan on buying this amp as soon as i can, and I can't find a single flaw with it. Some people have said the reverb is weak, but I usually don't play with any reverb, so it doesn't bother me. I'm not telling you to go out and buy it right this second, but definitely play this at your local guitar center. Where to start. One should definitely try an amp out at a store or friends house before buying it if possible.
While tone is really up to personal prefrence, this amp through four G12H30 celestion speakers can get a tone that will have most people dropping their jaws. I love this amp because of the options that make it so versatile, the mid boost, and two gain knobs, really allow you to have a wide array of available tone. I have also used this amp for professional recordings, and as you might know, sometimes what sounds good live may not be best in the studio, and so this amp was great for dialing in a great rock tone in the studio. I would agree that it may not be best for hard metal, in which case a peavey 6505 might be better, although this Marshall with both gains turned up will get a suitable metal tone, as I said it is very versitile.
I've been looking for a really good amp for years at this point, and I must have tried them all. Other Marshalls (which were pretty good), Orange (my second favorite), pretty much every Mesa in existence (not a big fan), and even a few Engls (which are pretty good depending on the model). It seemed like no amp I could find to play had that vintage AC/DC or Zeppelin-like tone that I was desperately looking for. Eventually I heard about the Vintage Modern, and a s soon as I found one a t guitar center and tried it out, I was blown away! The tone was absolutely incredible, exactly what I was looking for and more.
The feel of the amp was incredibly organic (having only 2 channels and 1 3-band EQ), which was a welcome relief from those other 4 channel 12 mode amps. I love the simplicity and how I have to fiddle with the knobs between songs to dial in the perfect tone. This amp has that classic fat marshall crunch that I love so much, and is cabable of genrating some of the best cleans I've ever heard. Play with it enough, and you can even get some good higher gain tones as well, though nothing rediculous. Over all, with the two preamp controls, the two channels and mid booster switch, this amp is all you need to create the tones you've always been dreaming about. The Marshall Vintage Modern 2466 head is easily the best sounding amp made today. The tube configuration in this amp is the smartest way to produce the classic rock sound that is sought after by many musicians.
If you want to produce a sound that is comparible to Hendrix, Zeppelin, The Who, than this is your amp. Do not buy this amp if you are going to use it for metal, it would be a waste seeing as how metal doesn't have any tone whatsoever.if you are playing metal get a Krank head. The Vintage Modern is a tone tweaker's dream.
After using every brand of amp on the market, this amp is easily the most flexible and adjustable. Adding the dynamic range switch was a genious move by Marshall, it really lets you dial in that perfect sound.
Iso Auf Usb Stick Schreiben Program. I have found that running this amp through a Marshall 1960 Lead Cabinet will create a much cleaner and deaper sound that running through the Vintage Modern Cab. The 300 Watts handling ability by the 1960 cab is uncomparable to anything else. Buy this amp and you will definately understand all the positive hype that surrounds this new series of Marshalls. Not to mention the purple LED lights look really cool too.
This amp is just as amazing as $4000 dollar amps. I own a jcm 800, a dsl 100, and I personally like this amp the best. I like how it gives a sweet tone and how it has great clarity and definition. For a cab, I actually recommend the matching Marshall Vintage Modern Cab that helps give the clarity from this amp. For EQ settings, I recommend Treble-8 Bass-6 Middle-6 Gain-4. Some might be scratching their head at my gain setting but if you turn the volume up and the gain down, I personally think you get a better crunch. I recently tried this amp and was amazed - you can get EXACTLY the overdrive sound Jimmy Page often used to perfection (can be heard in their live stuff)!!
This is the penultimate pre-Spandex-era sound. This amp has more punch than crunch - its power is more due to volume and overdrive than to pure distortion (i.e doesn't sound like a wall of static at high volume but retains the notes). Anyone not old enough to remember Ronald Reagan probably won't be impressed, but any guitarist over 30 would probably gladly sell a kidney to buy this amp. I bought this amp because I read how versatile it was for many different styles. I also wanted something that would complement both Les Paul and Strat-style guitars. I have to say that I was pretty disappointed with the sounds I got from the Vintage Modern.
The high's are really too high and tinny, but when turned down a notch it kills the tone altogether, as well as any respectable crunch when in High Gain mode. I just found that it involved way too much tweaking for my liking.a guitar player should be able to spend his time playing and twiddling knobs between songs. The mid-boost is really the only thing that saves this amp. With this, you can get some decent crunch.but it still requires some tweaking. Plus, the reverb is weak, as I'm sure you've read in other reviews.
All in all, nothing to write home about. The Marshall Vintage Modern 2466 is the most amazing amp I have ever heard or owned. Match this with the 425a Cabinet with G12C Greenbacks and you will not believe your ears. The genius in the Vintage Modern amp are the Detail and Body controls. Detail provides high end pre-boost control and Body provides low end pre-boost control. Those two controls allow you to shape almost any tone you can imagine - from sparkling thin cleans to fat fat thick lows to any degree and combination you want.
The result is a beautiful amp with total control which makes almost all other amps obsolete. Ballistics Theory And Design Of Guns And Ammunition Rarity. For example, I have been able to match the tones of everything from a 1959 Fender Bassman tone, a 1950's Fender Deluxe, 1960's JMP/Bluesbreaker, all the way to a more modern JCM800/900 type gain amp.
Blues, Rock, Country, Metal, Jazz.it is just an amazing amplification device that has so much character it is really the only amp you need. True, an old amp that rattles and buzzes has its own character but the VM allows you to match those tones perhaps without the buzz and rattle. Highly recommend the Vintage Modern. This amp will definitely be collectible and worth a ton as time goes on - grab one while you can. BTW the new (expensive) Astoria hand wired amps are basically the VM but much more expensive and not as good.
• Videos • The Marshall Vintage Modern 2266C 50 Watt 2 x 12 is an all-valve single channel amplifier with a choice of two dynamic ranges selectable by footswitch. The Low range equates to the performance you would come to expect from a stock vintage Marshall amplifier in terms of tone and available gain. The High range adds an extra preamp valve into the signal path, facilitating those classic hard rock tones of the seventies. Add to this the ability to dynamically interface with your instrument's Volume and Tone controls and the experience translates into a truly expressive and organic feel in performance.
Two frequency selective Pre-amp Volumes (Gains) - Body and Detail - facilitate greater flexibility of tonal shaping for individual guitars and styles while the power amplifier is heavily based on the first Marshall amplifiers to be produced, with two KT66 output valves yielding that substantial fat and smooth tone. A MID Boost switch on the front panel fattens the tone even more while a traditional Marshall tone control circuit enables fine tuning of your sound. A master volume has been included in order to practically manage the output levels at all venues. This is implemented after the phase splitter in order to fully exploit maximum preamp drive when the master is turned down low. A reverb level control mixes the on board plate reverb with the direct signal to whatever degree the player chooses. The reverb can be toggled on and off via the footswitch.
Finally, a series FX loop is provided for those players who wish to use outboard effect to further enhance their sound. Loop levels of ”10dB and +4dB are catered for via rear panel switch as well as the option to completely bypass this feature if it is not required. The Combo comes fitted with two Celestion G12C 25 Watt greenback speakers enabling stand-alone performance.
There is a facility for using an extension cab if required. The cosmetics are also a carefully crafted hybrid of old and new styles ” made even more dramatic by the deep purple vinyl that covers the entire series. Check the drop-down menu to the right to select colors and/or other options. A different Marshall When I first saw this purple amplifier, I thought it was just some cheap gimmick to make it seem like an amp from the 60s and make people think of Purple Haze.
When I first saw this purple amplifier, I thought it was just some cheap gimmick to make it seem like an amp from the 60s and make people think of Purple Haze. However, I did think it was cool looking, and it made it stand out. I did try it out and was not happy at all, so I bought the JVM 100 watt half stack. I eventually sold the JVM (too big) and wanted a 50 watt. The girl at the shop asked me if I wanted the Vintage Modern and convinced me to try it again.
Oh, it seems it was not set up properly the first time! The Body and Detail controls need to be set at at 12 o'clock at first, and then you can start playing around with it.
Being a classic rock kind of guy this amp suited me perfectly. I read that somebody else said t was noisy and had a hum to it, must have been a defect with his because mine has no such issues.
Also, it does work great with pedals, no issues whatsoever. So if you really want a classic sound with modern features, this amp's for you.
I have had it for three years and plan on holding on to it. VintageModern below average for Marshall This amp sounds great but it is noisy. If you want to add some pedals forget it. For a gig you won't notice it too bad but for home use. This amp sounds great but it is noisy.
If you want to add some pedals forget it. For a gig you won't notice it too bad but for home use it's unbearable. The other thing is when switching between dynamic modes the level jump is crazy. This is ok if that's what you want. I believe that's what is was designed for but it would be nice if you could use it as a seperate channel.
Overall too noisy for me. Especially for the price.
Comments about Marshall Vintage Modern 2266 Tube Combo Amp: When I first saw this purple amplifier, I thought it was just some cheap gimmick to make it seem like an amp from the 60s and make people think of Purple Haze. However, I did think it was cool looking, and it made it stand out. I did try it out and was not happy at all, so I bought the JVM 100 watt half stack. I eventually sold the JVM (too big) and wanted a 50 watt. The girl at the shop asked me if I wanted the Vintage Modern and convinced me to try it again. Oh, it seems it was not set up properly the first time!
The Body and Detail controls need to be set at at 12 o'clock at first, and then you can start playing around with it. Being a classic rock kind of guy this amp suited me perfectly. I read that somebody else said t was noisy and had a hum to it, must have been a defect with his because mine has no such issues. Also, it does work great with pedals, no issues whatsoever. So if you really want a classic sound with modern features, this amp's for you. I have had it for three years and plan on holding on to it.
Comments about Marshall Vintage Modern 2266 Tube Combo Amp: I admit I own too many amps - if that is possible. I purchased the Marshall Vintage Modern 2266 when it was first released here in the States. The first blew within 15 minutes. The replacement did not work at all. That was the bad part. They were replaced immediately from Guitar Center with zero hassle.
Here's the good part. Out of all the Marshall amps I've owned, and there have been many, including real vintage collector pieces, the Marshall Vintage Modern 2266 is by far the most versatile amp I've ever had the pleasure of cranking up. The vast tonality at your disposal is very impressive if you take the time to play around with it and learn to use your volume and tone controls on your guitar. It is absolutely fantastic. From early Clapton to Hendrix to even an almost Twin Reverb clean is easily attainable. The mid and high gains provide even more delight and versatility not available in and all-tube amp.
For gigs I ABY the Marshall Vintage Modern 2266 with a Fender Custom Shop '64 Vibroverb with both amps on a custom dual amp rack with results that would give any guitar player chills. In my book the Marshall Vintage Modern is a must have for the serious player.
I can also use it at very low volumes in practice environments due to the two pre-amp circuits and master. That won't work with most any other amp out there.
Can't say enough good things about it even though the first two were duds. In my opinion it is the Marshall's Marshall. Absolutely amazing amp no matter what the price tag.
Comments about Marshall Vintage Modern 2266 Tube Combo Amp: Overall Im exchanging it back for my 5150 III. One of my two Fenders that I should have never gotten rid of! It's features don't really do much. As there arn't too many options with an amp that doesn't have enough gain or tone to go with it's crunch channels. It's features don't really do much for me. Marshall recommends that you take the Bass,Treble, and Mid knobs to 12 0 Clock. Then adjust the other two color knobs until your satified, then go back to fine adjust your Bass Mid and treble knobs.
Overall the amp has a nice clean sound but for an amps natural distortion I found nothing beats my 5150 III by Fender. So Im taking this Marshall back to Guitar Center and paying the difference to pick up another 5150 III to go with the one I already have.
Man even on clean channel with those 5150 III's hands down it beats this Marshall big time. For me anyway.
I couldn't lie to myself. They cost more. Marshall still has a special place in my heart though.
The Vintage / Modern also requires Bias Voltage adjustment when changing it's KT-66 tubes. The amp is made superbly but it's tone, though used by guys like Trower and blues legends alike.thats just what it is. A Bluemans amp to me.
But I can do that easily with what I have. In the gain department it lacks and it's gain is just a crunch anyway. This is it's value only to me. Others would give it a 10.
For more gain you will be running some kind of overdrive pedal or something through it's loop. If you want more gain that is. Or better gain. But thats just my story.
Comments about Marshall Vintage Modern 2266 Tube Combo Amp: So, basically, this amp is what Marshalls SHOULD sound like. The KT66 tubes are fuzzier and more loose sounding than Marshall's usual EL34s, and I find myself getting a total Hendrix sound going with my strat through the High Dynamic range. The Mid Boost is cool, but unless you're using single coils, it muddies the sound up. The only problem is that the reverb sucks. But, then again, who buys a Marshall for its reverb? The amp is basically perfect.
The only things it needs are a real spring reverb, a volume knob for the effects loop, and the ability to activate mid boost from the footswitch. Also, the ability to footswitch the effects loop on and off would be nice, too.
But, really, those are the ONLY problems, and they're not really a big deal when you're playing. So, if you're into British blues, classic rock, or even 90s alternative (I've found everything from Nirvana to Placebo), this is the amp for you. No modeling, no 8 billion channels, no crushing super-gain: Just pure, beautiful, classic tone. Comments about Marshall Vintage Modern 2266 Tube Combo Amp: By far the Best Amp I've owned. Out of the box it has the most organic tone I've ever experienced, heck it's a JTM-45 with four preamp tubes, takes pedals very well (On the Low Dynamic Range Crank everything but the reverb up, Detail at 4 o'clock and Body at 3 o'clock, and then it can take fuzzes very well). You've got to fiddle around a little bit to know your amp's personality, but to me that's half the fun. One thing people needs to understand is that this is a single channel amp, people tends to get confused over this.
You've got to stay in one range for your performance to make sense. Low Dynamic is 36W, remember JTM-45 is 30W, and High Dynamic is 50W, both are loud enough for any situation the majority of any of us will ever face.
I bought mine here at Musiciansfriend.com, a used one too, can't think of any other way of getting the dead on HENDRIX tone at a working man's tag price, heck it even has the same Speakers as the Marshall HENDRIX Signature stack.ahhh, it'd be a good idea to warn your neighbors that there is a new sheriff in town!! Comments about Marshall Vintage Modern 2266 Tube Combo Amp: This amp has the sound I have been in search of for 25 years.
Really brings out the individual tone of the specific instrument. None of my 4 Stratocasters have ever sounded better through any other Fender or Marshall amp EVER!! If you are plug and play like me and don't really care about the versatility of the effects loop, you cannot top this amp! Throw a wah and an overdrive pedal in front of it, and you are good to go. I bought the combo version as a practice amp. Now it is the only amp I want to play through.
My Mesa and my old 100W Marshall stack have become dust collectors. As with everything else made in England, it is overpriced and poorly constructed.
Can you say Land Rover? The tolex covering on mine has huge bubbles under it where they missed with the glue. The speaker magnets each had 50 or so lock washers stuck to them right from the factory and the factory speaker cord was bad and had to be replaced. You have to overlook this stuff and buy the amp for the TONE!!
Comments about Marshall Vintage Modern 2266 Tube Combo Amp: Marshall roar! Vintage hard hitting tone! Super creamy overdriven leads! Marshall best most articulate clean ever. Hendrix, Page, Bad Company, Foghat to Whitesnake, Gun's and Roses, unlimited crunch, its here in spades. Body and Detail gains are the key here. Combo is perfect and plays well loud or medium.
No balls at real low volume (but wasn't meant to be) but is definitely manageable for at home practicing. Gave it an overall 5 but wish you could turn the effect on and off by footswitch (can only control high gain or low gain and reverb by foot).
Reverb is subtle, nice but weak. Would have prefered a more springy fenderish type. Greenback speakers in this combo is a fantastic marriage with this setup. Warmth is fabulous. This amp does not hide your mistakes as the gain is very harmonic but individual notes ring thru. Responds quite well to your picking dynamics and liberal use of guitar tone and volme knobs.
Pinch harmonics blossom like gifts from your fingers. Cool purple tolex covering and way cool indigo power light. This has to be the best purchase i have made in 15 years of playing. I wish this amp would have came out decades ago as I would have saved and easy $10,000.00 searching for this tone. Have yet to use a pedal or boost in front but so far I have been enjoying all its glory on its own.
Can't wait to put some delay in the effects loop and also wah wah out front. Sounds SRV/Hendrix with single coils and humbuckers wail. Also tried a more heavier sound with hotter Ibanez pickups and it kicked some major butt. This could very well be the last amp I ever buy. Metalheads may not find triple rec sound here as well they aren't supposed to! Will have to try my MT2 here and see waht kinda chunk I can get.
In closing play this amp and prepare to be astounded and don't bring your credit card or you may well use it! Expensive, YES! EVERY DANG PENNY! Comments about Marshall Vintage Modern 2266 Tube Combo Amp: I've had this amp for 2 months now and I wouldn't get rid of it for anything short of an original JTM-45.
This amp delivers on its promise of giving you classic rock tone. Low dynamic range is full of classic Marshall goodness. Kick it into high dynamic range and you're into JCM 800 territory.
I love the body and detail knobs because you can dial in the amount of gain on a more precise scale. If you're looking into a reissue Marshall but want that extra gain without using a pedal, go for this guy. The KT66 tubes definately provide a very unique tone.
They are very warm sounding and do get a little flabby with too much bass added in, BUT that's not necessarily a bad thing! This amp can deliver awesome SRV, AC/DC, GNR.just about anything short of death metal. ALSO, it sounds great at bedroom volume level! It's hard to believe that a Marshall can do that but this one definitely does. I can't say enough good stuff about this amp. There is a reason why Slash and Paul Gilbert use it.
Buy one now before Marshall realizes how much of a deal this amp is and raise the price tag! Comments about Marshall Vintage Modern 2266 Tube Combo Amp: i played this amp this week. I plan on buying the head because i have a cabinet, also the head is a little less money. Features 4, reason being.marshall stopped the pentode/triode switch since jcm900 and there's also no line out, the effects loop also has no volume knob.
Value i gave a low rating of 3.5 because it's pricey. I know it's made in england, not in a sweat-shop in asia, although you get what you pay for and that's why i gave the quality a 5.
Only thing i noticed the amp failed to impress me like i thought it would was with the mid boost. I wasn't playing like i would at rehearsal so it wasn't loud being i'm just experimenting in a guitar store, still i think it is subtle, i don't know if the footswitch clicks it on and off, i used all the features manually. Otherwise, this amp is sort of a two channel amp with the two dynamic ranges.
Some may argue that, i thought it was a quality amp & although i've never owned a plexi i have owned an original jcm 800, and jcm900 for all the bad reputations they have and i see some truth in it i have played threw a few times and still stand by channel A is great channel B is were marshall went wrong with that series, and everyone expects marshall to deliver a high gain channel more than anything else. Well i think this amp is simple, but flexible(more than my jcm 800) and simplicity is good in my opinion.